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RoboCop 4K Ultra HD
Adviesprijs: €46,99
€41,49
Bespaar: €5,50
Part Man, Part Machine, All Cop.
RoboCop, from Orion Pictures, marked director Paul Verhoeven’s (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven’s peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back).
The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop – a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop’s memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above.
Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive 4K UHD Blu-ray presentation packed with hours of brand new bonus features and exclusive collectable packaging.
4K Ultra Hd Blu-ray Limited Edition Contents
- 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
- Newly commissioned artwork by Paul Shipper
- Director’s Cut and Theatrical Cut of the film on two 4K (2160p) UHD Blu-ray™ discs with Dolby Vision (HDR10 compatible)
- Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cuts
- Optional English subtitles for the deaf and hard of hearing on both cuts
- Six collector’s postcards (Limited Edition exclusive)
- Double-sided fold-out poster (Limited Edition exclusive)
- Reversible sleeve featuring original and newly-commissioned artwork (Limited Edition exclusive)
- 80-page Limited Edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
Disc One – Director’s Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
- Commentary by film historian Paul M. Sammon
- Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
- The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner
- RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures’ The Prodigy)
- Truth of Character, an interview with star Nancy Allen on her role as Lewis
- Casting Old Detroit, an interview with casting director Julie Selzer on how the film’s ensemble cast was assembled
- Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
- Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver
- More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
- RoboProps, a tour of super-fan Julien Dumont’s collection of original props and memorabilia
- 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
- RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
- Paul Verhoeven Easter Egg
- Four deleted scenes
- The Boardroom: Storyboard with Commentary by Phil Tippett
- Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)
- Two theatrical trailers and three TV spots
- Extensive image galleries
Disc Two – Theatrical Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
- Two Isolated Score tracks (Composer’s Original Score and Final Theatrical Mix)
- Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
- Split screen comparisons between the Director’s Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version
- RoboCop: Edited for Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently unearthed 35mm elements
- Arrow Video
- 103 mins approx
- Paul Verhoeven
- 18
- Peter Weller
- Nancy Allen
- Miguel Ferrer
- English SDH
- 1987
- English
- 2
- A
- B
- C
- Arrow Video
RoboCop 4K Ultra HD
Adviesprijs: €46,99
€41,49
Bespaar: €5,50
Uitverkocht
Bezorgen & retourneren
Part Man, Part Machine, All Cop.
RoboCop, from Orion Pictures, marked director Paul Verhoeven’s (Flesh + Blood) Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven’s peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back).
The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop – a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop’s memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above.
Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back in a definitive 4K UHD Blu-ray presentation packed with hours of brand new bonus features and exclusive collectable packaging.
4K Ultra Hd Blu-ray Limited Edition Contents
- 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
- Newly commissioned artwork by Paul Shipper
- Director’s Cut and Theatrical Cut of the film on two 4K (2160p) UHD Blu-ray™ discs with Dolby Vision (HDR10 compatible)
- Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options on both cuts
- Optional English subtitles for the deaf and hard of hearing on both cuts
- Six collector’s postcards (Limited Edition exclusive)
- Double-sided fold-out poster (Limited Edition exclusive)
- Reversible sleeve featuring original and newly-commissioned artwork (Limited Edition exclusive)
- 80-page Limited Edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
Disc One – Director’s Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
- Commentary by film historian Paul M. Sammon
- Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
- The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner
- RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures’ The Prodigy)
- Truth of Character, an interview with star Nancy Allen on her role as Lewis
- Casting Old Detroit, an interview with casting director Julie Selzer on how the film’s ensemble cast was assembled
- Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
- Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver
- More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
- RoboProps, a tour of super-fan Julien Dumont’s collection of original props and memorabilia
- 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
- RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
- Paul Verhoeven Easter Egg
- Four deleted scenes
- The Boardroom: Storyboard with Commentary by Phil Tippett
- Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR)
- Two theatrical trailers and three TV spots
- Extensive image galleries
Disc Two – Theatrical Cut
- Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
- Two Isolated Score tracks (Composer’s Original Score and Final Theatrical Mix)
- Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
- Split screen comparisons between the Director’s Cut and Theatrical Cut, and the Theatrical Cut and edited-for-TV version
- RoboCop: Edited for Television, a compilation of alternate scenes from two edited-for-television versions, including outtakes newly transferred in HD from recently unearthed 35mm elements
- Arrow Video
- 103 mins approx
- Paul Verhoeven
- 18
- Peter Weller
- Nancy Allen
- Miguel Ferrer
- English SDH
- 1987
- English
- 2
- A
- B
- C
- Arrow Video
Klantenrecensies
Beste reviews
Klantrecensies zijn onafhankelijk en vertegenwoordigen niet de mening van Zavvi.
Dead Or Alive, You Are Coming With Me...
Tijdje geleden bracht Arrow deze film al uit op BluRay in een geweldige set, nu kreeg deze film ook een 4K BluRay release. Over de film zal ik verder weinig vertellen, dat zal iedereen wel bekend zijn. Agent wordt op brute wijze neergeschoten en herrijst dmv technologie als een machine die door het laatste greintje menselijkheid problemen krijgt als zijn menselijke kant clashen met zijn 'directives'. De film ziet er beter uit dan ooit in deze uitgave. Er werd een scan gemaakt van de originele negatieven en je ziet het terug in de kleuren en in het contrast. Het is een voorbeeld van hoe 4K scans van oudere films er uit kunnen zien. Verder zit er een enorme hoeveelheid extra's bij deze uitgave en de LE heeft de typische Arrow touch, posters, lobbykaarten en bij deze een kekke sticker voor op je raam. Voor iedere Robocop fan is deze uitgave een MUST.
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Underrated & Over The Top
'Een significante upgrade over de eerdere Sony uitgave' Nadat Bram Stoker's Dracula een succes werd ging Francis Ford Coppola eens shoppen met zijn Frankenstein project. Daar kwam hij Kenneth Branagh tegen en gaf hem de leiding over dit project. Daar zou hij later wat spijt van krijgen gezien de ruzies die Branagh had met Coppola en screenwriter Darabont. Desondanks werd dit een film die ontzettend goed past bij de eerder genoemde Dracula adaptatie. De film staat wellicht bekend dat deze soms wat over-the-top is en vooral ook wel wat 'catered' aan de ijdelheid van de regisseur die zichzelf maar al te graag laat zien in deze film. Van de vele adaptaties van het klassieke verhaal is dit wellicht de meest getrouwe versie. Toch is deze film door de critici van toen niet heel goed ontvangen met gemiddelde scores. De tijd is goed geweest voor deze film en er wordt nu beter op terug gekeken dan eerder. De disc zelf is een goede upgrade voor iedereen die de eerdere Sony uitgave had. Arrow heeft een prima scan gemaakt van de originele negatieven en men heeft op plekken wat opgepoetst, wat niet altijd iedereen mooi vindt, maar camera wobble en dergelijke zijn bijna absent. Voor een film die eigenlijk bijna alleen maar aardetinten heeft ziet het er op deze 4K echt fantastisch uit in geweldig detail. Ik ben er blij mee, nu nog even die Bram Stoker's Dracula op 4K meepakken.
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